Exploring Movement in Creative Dance: Introducing ‘Dancemblage’ in Physical Education Teacher Education

Forfattere

  • Christopher Engdahl Swedish School of Sport and Health Sciences (GIH), Sweden https://orcid.org/0000-0001-8284-5872
  • Simon Ceder Konstfack, University of Arts, Crafts and Design, Sweden
DOI: https://doi.org/10.23865/jased.v7.5852

Sammendrag

Materialities play a crucial role in both the educational practice of physical education (PE), and in physical education teacher education (PETE). This article explores how, often unnoticed, materialities, human as well as non-human, play part in movement exploration in creative dance in PETE. The methodological point of departure is a pedagogical unit in creative dance enacted as part of an optional dance course in a Swedish PETE program where  movement exploration was studied. In the unit, students and a teacher collaboratively explored movement and movement assignments, including the use of materialities. In order to understand how materialities ‘co-act’ in movement exploration during class, this article provides a post-anthropocentric and Deleuzian approach. The concept dancemblage is introduced both as a way to analyse materiality and as something to work with in pedagogical practice. Moreover, the article suggests that by recognising dancemblages in creative dance teaching, teachers can be given a tool to further learn about learners’ explorations and to become open to divergent understandings about what it means to participate in creative dance. 

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Publisert

2023-12-29

Hvordan sitere

Engdahl, C., & Ceder, S. (2023). Exploring Movement in Creative Dance: Introducing ‘Dancemblage’ in Physical Education Teacher Education. Journal for Research in Arts and Sports Education, 7(3), 43–58. https://doi.org/10.23865/jased.v7.5852

Utgave

Seksjon

Forskningsartikler

Emneord (Nøkkelord):

movement exploration, materiality, Gilles Deleuze, post-anthropocentrism, assemblage